How do we define a shell? Who can see it, and what lies behind it? Who do we invite into our self-built cocoon, and from whom do we isolate ourselves?
The exhibition Hülle explored the concept of covering — as protection, concealment, transformation, or revelation. The curatorial theme invited artists to question what a “cover” is, whom it serves, and what remains hidden or exposed. The challenge was to translate this open, poetic framework into a cohesive exhibition identity while supporting the participating artists in presenting highly personal and material-driven works. At the same time, I wanted to contribute my own artistic perspective on protection, vulnerability, and the body in urban space.
As the exhibition’s graphic designer and assistant to curator Mette Kleinsteuber, I developed the visual identity, organisational materials, and exhibition graphics that connected the diverse artworks into a unified spatial and conceptual experience. In addition to the design work, I was invited to exhibit my own sculptural piece “Urban Armour”, expanding on the theme of covering through the lens of safety, femininity, and public space. For the exhibition, I created an additional torso element to accompany the existing headpiece, highlighting the protective and psychological dimensions of the work. The result was a multifaceted exhibition that combined curatorial clarity with individual artistic voices — allowing Hülle to unfold the idea of covering as both a personal and societal gesture.
